Rating: 3.5 out of 5.

Fifty years after Tobe Hooper unleashed his singular vision, aptly titled The Texas Chain Saw Massacre, unique documentary Chain Reactions takes a deeply personal examination at the film’s legacy from multiple viewpoints. Structured as a series of video essays from five distinct voices—Patton Oswalt, Takashi Miike, Alexandra Heller-Nicholas, Stephen King, and Karyn Kusama—this one is less a conventional documentary and more a chorus of memories that showcase the cultural spread of Hooper’s indie darling. A wild passion for Chain Saw’s legacy can be felt in every twisted frame. The Texas Chain Saw Massacre did far more than revolutionize the horror genre. Its macabre artistry somehow managed to suggest infinite possibilities for the connection between horror and beauty. 

A chapter structure nicely breaks up the story of each creative, offering fleeting glimpses of the Texas landscape and archival outtakes to help weave the reflections together. Oswalt recalls childhood encounters with Nosferatu, and how Hooper’s film felt feral, apocalyptic, and nearly inhuman. Miike describes stumbling into the film by accident in Japan, where it shook him with its raw, dangerous energy. It further influenced his own career in extremist cinema. Heller-Nicholas ties Chain Saw to the geography of the Australian outback, describing it as avant-garde and eerily connected to her memories of dust storms and fire. King, ever the storyteller, recalls first seeing it in the ’80s, and marvels at its unvarnished realism. He connects Hooper’s visceral style to the unsettling power of The Blair Witch Project and Evil Dead. Finally, Kusama frames The Texas Chain Saw Massacre as a grisly yet mythic American masterpiece, even tying its impact to the date of personal tragedy.

The striking difference in perspectives only emphasize how differently cinema can affect any given person. For Oswalt, Chain Saw suggests a crazed apocalypse; for Miike, it marks the dangerous spark that pushed him into filmmaking; for Kusama, it recalls both myth and trauma. This kaleidoscope of meaning epitomizes the enduring nature of Hooper’s creation. Chain Saw’s resistance to being tamed or neatly explained only adds to that timeless allure. While Chain Reactions fascinates in its collage of meanings, it may not be as rewarding for casual viewers. Those unfamiliar with Texas Chain Saw Massacre could discover the constant intellectualizing to be overly academic, and nearly impenetrable. For horror devotees who can recognize the cultural impact of such a title, the potent combination of personal vulnerability and sharp cultural analysis will be a treasure.

Chain Reactions is an enthralling love letter to one of cinema’s most infamous nightmares. It proves how deeply The Texas Chain Saw Massacre has carved into the collective unconscious. The insightful perspectives are enough to make me want to give the original film a proper chance. I have always preferred the 2003 remake. The authentic nature constantly praised about the 1974 classic, at least in my eyes, cannot save the dull monotony or the annoying characters from practically destroying the whole experience. Even if Hooper’s movies may not be my cup of tea, I can still appreciate the perspectives presented here in celebration of the undeniable impact.

Rev up for Chain Reactions, thrusting its blades into theaters in NY and LA on September 19th, and nationwide on September 26th.

Leave a Reply