With 2025 just around the corner, the time has never been better to look ahead to next year's sprawling landscape of cinematic wonderment. Josh and Allison have cherry-picked 25 most anticipated films that are sure to leave their mark. Check out our choices after the jump! Here are our 25 most anticipated movies for 2025, … Continue reading Most Anticipated Films of 2025
Most Anticipated Films of 2024
Goodbye 2023! It's time to prep for a sequel-heavy new year. Allison and I have compiled a list of the twenty-five films we are most looking forward to seeing. As with last year, a few of these are holdovers from 2023 that have still yet to be released, mainly due to the strikes that crippled … Continue reading Most Anticipated Films of 2024
Film Review: The Visitor
★★ Blumhouse’s newest collaboration with Epix, a spooky horror thriller by the name of The Visitor, arrives in the first week of October to little fanfare and without much advertising. When all is said and done, is the film led by Game of Thrones and Iron Fist actor Finn Jones worthy of one’s time? The … Continue reading Film Review: The Visitor
Film Review: Mr. Harrigan’s Phone
★★★★ An eerie meditation on our relationship with technology, leave it to Stephen King to craft an interesting, unconventional narrative tackling death head-on. Though it may be rated PG-13, Mr. Harrigan’s Phone has some bite by way of its creepy staying power, and thrall over the viewer. Superproducers Jason Blum and Ryan Murphy work with … Continue reading Film Review: Mr. Harrigan’s Phone
SXSW 2022: Soft & Quiet
★★★★ Soft & Quiet has to be one of the most uncomfortable movies I have ever watched. Debuting at 2022’s SXSW Film Festival, this searing thriller essentially follows a white supremacist group of females presenting themselves as the so-called Daughters for Aryan Unity. Throughout the course of the movie, this group’s mantra about supporting one another … Continue reading SXSW 2022: Soft & Quiet
Film Review: A House on the Bayou
★★★★ Blumhouse horror is always reason enough for excitement; throw in an eerie Louisiana-setting and that is enough to warrant a must-watch in my book. Written and directed by Alex McAulay (2020’s excellent thriller, Don’t Tell a Soul), a pared-down story makes for an intimately-choreographed little horror flick. Just weird and mysterious enough to warrant … Continue reading Film Review: A House on the Bayou
Film Review: Welcome to the Blumhouse: Madres & The Manor
The first two in this second chunk of “Welcome to the Blumhouse” films, Black as Night and Bingo Hell, were extremely underwhelming. The overall quality was more akin to the direct-to-video bargain bin. Color me shocked, then, that this final double feature, Madres and The Manor, is such a significant step up. It seems that … Continue reading Film Review: Welcome to the Blumhouse: Madres & The Manor
Film Review: Welcome to the Blumhouse: Black as Night & Bingo Hell
The second set of the “Welcome to the Blumhouse” films appears to be starting with barely a whimper. First up, we have a twisted tale of homeless vampires and gentrification of the Projects in Maritte Lee Go’s Black as Night. Next, Bingo Hell deals with a different side of gentrification, as well as consuming bingo … Continue reading Film Review: Welcome to the Blumhouse: Black as Night & Bingo Hell